• Museology
    • VANI MUSEUM
    • BOLNISI MUSEUM
    • SVANETI MUSEUM
    • SAMTSKHE-JAVAKHETI MUSEUM
    • GEORGIAN NATIONAL MUSEUM
  • Museography and organisation
    • MICHELANGELO AND THE SISTINE CHAPEL
    • GEORGIA, CRADLE OF VITICULTURE
    • HOLOGRAM UNIVERSE
    • THE WORLD WAS FLAT, NOW IT’S ROUND AND IT WILL BE A HOLOGRAM
    • THE WORLD WAS FLAT, NOW IS ROUND AND IT WILL BE A HOLOGRAM (Umeå)
    • RETROSPECTIVE: DAVID LACHAPELLE
    • TREASURES OF BUDDHISM IN THE LAND OF GENGHIS KHAN
    • TREASURES OF ANCIENT CHINA (WOOD OF IMMORTALITY)
    • TREASURES OF KNIGHTS IN THE LAND OF ISLAM
    • PHILLIPS COLLECTION
    • PROFANE VERONESE
    • THE PONT-AVEN ADVENTURE AND PAUL GAUGUIN
    • MODIGLIANI, THE ANGEL WITH THE GRAVE FACE
    • BOTTICELLI
  • Independent Curator
    • LIMINAL HOUSE
    • HOLOGRAM UNIVERSE
    • THE WORLD WAS FLAT, NOW IT’S ROUND AND IT WILL BE A HOLOGRAM (ZAPOPAN)
    • THE DURATION OF THE PRESENT (BOGOTA)
    • THE WORLD WAS FLAT, NOW IT’S ROUND AND IT WILL BE A HOLOGRAM (UMEÅ )
    • THE DURATION OF THE PRESENT (SEVILLE)
    • WANG KEPING, CONTEMPORARY SCULPTURE
    • MAIMAO 
    • WAKE UP SHANGHAI
  • Artist
    • BELIEFS
    • MARANI
    • EXPLOSION
    • A HISTORY OF PERFORMANCE IN 20 MINUTES
    • EVENT HORIZON
    • SUPERSYMMETRY: GOLDEN SPIRAL
    • SUPERSYMMETRY: 1100, 1010, 1001, 0101, 0011
    • THE DURATION OF THE PRESENT (Bogota)
    • SCULPTURAL SPACE
    • DOBLE YO, NAGUAL
    • DOBLE YO
    • LIGHT DRAWINGS
    • Wormhole
    • THE TIME THAT REMAINS
    • SOLAR CORRIDOR
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Other projects

MICHELANGELO AND THE SISTINE CHAPEL (Preparatory drawings) | Georgian National Gallery, Tbilisi (Georgia) | 2018 View GEORGIA, CRADLE OF VITICULTURE | La Cité du Vin, Bordeaux (France) | 2017 Current {:en}HOLOGRAM UNIVERSE | La Tertulia Museum of Modern Art, Cali (Colombia) | 2017{:}{:fr}UNIVERS HOLOGRAMME | Musée d'Art Moderne La Tertulia, Cali (Colombie) | 2017{:}{:es}UNIVERSO HOLOGRAMA | Museo de Arte Moderno La Tertulia, Cali (Colombia) | 2017{:} View {:en}THE WORLD WAS FLAT, NOW IT’S ROUND AND IT WILL BE A HOLOGRAM | MAZ (Modern Art Museum of Zapopan), Zapopan (Mexico) | 2016{:}{:fr}LE MONDE ÉTAIT PLAT, MAINTENANT IL EST ROND ET SERA UN HOLOGRAMME | MAZ (Musée d'Art Moderne de Zapopan), Zapopan (Mexique) | 2016{:}{:es}EL MUNDO ERA PLANO, AHORA ES REDONDO Y SERÁ UN HOLOGRAMA | MAZ (Museo de Arte Moderno de Zapopán), Zapopán (Mexico) | 2016{:} View {:en}THE WORLD WAS FLAT, NOW IS ROUND AND IT WILL BE A HOLOGRAM | Bildmuseet, Umeå (Sweden) | 2015{:}{:fr}LE MONDE ÉTAIT PLAT, MAINTENANT IL EST ROND ET SERA UN HOLOGRAMME | Bildmuseet, Umeå (Suède) | 2015{:}{:es}EL MUNDO ERA PLANO, AHORA ES REDONDO Y SERÁ UN HOLOGRAMA | Bildmuseet, Umeå (Suecia) | 2015{:} View {:en}RETROSPECTIVE: DAVID LACHAPELLE | Musée de La Monnaie, Paris (France) | 2009{:}{:fr}RÉTROSPECTIVE: DAVID LACHAPELLE | Musée de La Monnaie, Paris (France) | 2009 {:}{:es}RETROSPECTIVA: DAVID LACHAPELLE | Musée de La Monnaie, París (Francia) | 2009 {:} View {:en}THE DURATION OF THE PRESENT | Cicus Ubicua, Seville (Spain) | 2014{:}{:fr}LA DURATION DU PRÉSENT | Cicus Ubicua, Séville (Espagne) | 2014{:}{:es}LA DURACIÓN DEL PRESENTE | Cicus Ubicua, Sevilla (España) | 2014{:} View {:en}TREASURES OF BUDDHISM IN THE LAND OF GENGHIS KHAN | Musée des Arts Asiatiques, Nice (France) | 2009{:}{:fr}TRÉSORS DU BOUDHISME AU PAYS DE GENGIS KHAN | Musée des Arts Asiatiques, Nice (France) | 2009{:}{:es}TESOROS DEL BUDISMO EN EL PAÍS DE GENGIS KHAN | Musée des Arts Asiatiques, Niza (Francia) | 2009{:} View
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MUSEOGRAPHY AND ORGANISATION | TEMPORARY EXHIBITIONS

GEORGIA, CRADLE OF VITICULTURE | La Cité du Vin, Bordeaux (France) | 2017

Museography and artist: Lina López

Georgian National Museum Collection

 

COMPLETED WORK

● Exhibition design/Curator/Artist

● Museography/Scenography design and implementation (museographic route, room ambiance, showcases, lighting, signage and graphic design).

● Concept and realization of art installations: Marani; Croyances; Explosion and La Ultima Cena (Film).

 

The exhibition Georgia, the cradle of viticulture, will embody Georgia’s unwavering bonds and love for wine and vine, from the earliest times to the present day. They are illustrated in his beliefs, his mythology, his folklore, his art and through his table. The Georgian tradition of producing wine in earthenware jars called Kvevri is unique in the world. UNESCO has enshrined in its intangible cultural heritage of humanity this traditional method of winemaking.

 

The curator of the exhibition is David Lordkipanidze, General Director of the National Museum of Georgia and Merab Mikeladze, editor of the National Museum of Georgia.

 

The scenography of the exhibition is entrusted to Lina López, artist, curator, exhibition designer and museographer. She also participated as an artist in the design and realization of the art installations for the exhibition: Marani; Croyances; Explosion and La Ultima Cena (Film).

Project Info

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