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Other projects

LIMINAL HOUSE | La Tertulia Museum of Modern Art, Cali (Colombia) | 2017 Current {:en}HOLOGRAM UNIVERSE | La Tertulia Museum of Modern Art, Cali (Colombia) | 2017{:}{:fr}UNIVERS HOLOGRAMME | Musée d'Art Moderne La Tertulia, Cali (Colombie) | 2017{:}{:es}UNIVERSO HOLOGRAMA | Museo de Arte Moderno La Tertulia, Cali (Colombia) | 2017{:} View {:en}THE WORLD WAS FLAT, NOW IT’S ROUND AND IT WILL BE A HOLOGRAM | MAZ (Modern Art Museum of Zapopan), Zapopan (Mexico) | 2016{:}{:fr}LE MONDE ÉTAIT PLAT, MAINTENANT IL EST ROND ET SERA UN HOLOGRAMME | MAZ (Musée d'Art Moderne de Zapopan), Zapopan (Mexique) | 2016{:}{:es}EL MUNDO ERA PLANO, AHORA ES REDONDO Y SERÁ UN HOLOGRAMA | MAZ (Museo de Arte Moderno de Zapopán), Zapopán (Mexico) | 2016{:} View {:en}THE DURATION OF THE PRESENT | Flora Ars+Natura, Bogota (Colombia) | 2015{:}{:fr}LA DURATION DU PRÉSENT | Flora Ars+Natura, Bogota (Colombie) | 2015{:}{:es}LA DURACIÓN DEL PRESENTE | Flora Ars+Natura, Bogotá (Colombia) | 2015{:} View {:en}THE WORLD WAS FLAT, NOW IS ROUND AND IT WILL BE A HOLOGRAM | Bildmuseet, Umeå (Sweden) | 2015{:}{:fr}LE MONDE ÉTAIT PLAT, MAINTENANT IL EST ROND ET SERA UN HOLOGRAMME | Bildmuseet, Umeå (Suède) | 2015{:}{:es}EL MUNDO ERA PLANO, AHORA ES REDONDO Y SERÁ UN HOLOGRAMA | Bildmuseet, Umeå (Suecia) | 2015{:} View {:en}THE DURATION OF THE PRESENT | Cicus Ubicua, Seville (Spain) | 2014{:}{:fr}LA DURATION DU PRÉSENT | Cicus Ubicua, Séville (Espagne) | 2014{:}{:es}LA DURACIÓN DEL PRESENTE | Cicus Ubicua, Sevilla (España) | 2014{:} View {:en}WANG KEPING (CONTEMPORARY SCULPTURE) | Museum of Asian Arts, Nice (France) | 2008{:}{:fr}WANG KEPING (SCULPTURE CONTEMPORAINE) | Musée des Arts Asiatiques, Nice (France) | 2008{:}{:es}WANG KEPING (ESCULTURA CONTEMPORÁNEA) | Museo de Artes Asiáticas, Niza (Francia) | 2008{:} View {:en}MAIMAO | Orangerie du Sénat, Paris (France) | 2006 + Fattoria Celle, Prato (Italy) | 2007{:}{:fr}MAIMAO | Orangerie du Sénat, Paris (France) | 2006 + Fattoria Celle, Prato (Italie) | 2007{:}{:es}MAIMAO | Orangerie du Sénat, París (Francia) | 2006 + Fattoria Celle, Prato (Italia) | 2007{:} View
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INDEPENDANT CURATOR

LIMINAL HOUSE | La Tertulia Museum of Modern Art, Cali (Colombia) | 2017

Curator: Lina López
Artist: Erick Beltrán

  

A house is by definition an enclosure intended to be inhabited. What happens when the house is not inhabited? Lacking a fixed function or defined status, it enters a liminal space, an indeterminate space suspended between two dimensions: it is no longer what it was and it is not yet what it will be.
How to access that space? What does the house reveal to us? Can we communicate with her? How to navigate a space in multiple dimensions? How to access the different layers that make up an object or a place?

  

Erick Beltrán proposes an extra sensory tour of the Casa Obeso Mejía, guided by a medium, presenting a map of a map or a palace of memory as a common thread. The work of this Mexican artist challenges the conventional precepts of the exhibition focusing not on inanimate objects, but on the invisible processes of information construction that create our relationship to the world. His work comes to life through human exchanges, memory and the construction of new relationships that revalue the concepts of object, presence and experience.
For this occasion, create a map file to locate or identify a dimension, to access it or move to another. To locate is to try to define the essence of a place and this is not established in a linear way but in multiple dimensions at the same time.

  

The visitor who decides to make the tour of the Liminal House should know that when crossing the threshold leaves the Cartesian behind to undertake a journey for the hidden dimensions in it.

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