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{:en}THE DURATION OF THE PRESENT | Flora Ars+Natura, Bogota (Colombia) | 2015{:}{:fr}LA DURATION DU PRÉSENT | Flora Ars+Natura, Bogota (Colombia) | 2015{:}{:es}LA DURACIÓN DEL PRESENTE | Flora Ars+Natura, Bogotá (Colombia) | 2015{:} View {:en}SCULPTURAL SPACE | Video and photography | 2015{:}{:fr}ESPACE SCULPTURAL | Vidéo et photographie | 2015{:}{:es}ESPACIO ESCULTÓRICO | Video y fotografía | 2015{:} View DOUBLE ME, NAGUAL | Sculpture | 2015 Current {:en}DOUBLE ME | Photography and sculpture | 2015{:}{:fr}DOUBLE MOI | Photographie | 2015{:}{:es}DOBLE YO | Fotografía | 2015{:} View {:en}LIGHT DRAWINGS | Drawings | 2015{:}{:fr}DESSINS DE LUMIÈRE | Dessins | 2015{:}{:es}DIBUJOS DE LUZ | Dibujo | 2015{:} View {:en}WORMHOLE | Cristin Tierney Gallery, New York (USA) | 2015{:}{:fr}WORMHOLE | Cristin Tierney Gallery, New York (USA) | 2015{:}{:es}WORMHOLE | Cristin Tierney Gallery, New York (USA) | 2015{:} View {:en}THE TIME THAT REMAINS | Musée d'Histoire Naturelle de Paris, Paris (France) | 2015{:}{:fr}LE TEMPS QUI RESTE | Musée d'Histoire Naturelle de Paris, Paris (France) | 2015{:}{:es}EL TIEMPO QUE QUEDA | Musée d'Histoire Naturelle de Paris, ParÍs (Francia) | 2015{:} View {:en}SOLAR CORRIDOR | Cicus Ubicua, Seville (Spain) | 2014{:}{:fr}CORRIDOR SOLAIRE | Cicus Ubicua, Séville (Espagne) | 2014{:}{:es}CORREDOR SOLAR | Cicus Ubicua, Sevilla (España) | 2014{:} View
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ARTIST | WORK

DOUBLE ME, NAGUAL | Sculpture | 2015

Artists: Lina López / François Bucher
Golden aluminum sculpture
15 x 18 cm

 

The Medicine Man, transformed into its multiple animal aspects, is represented by pre-Colombian goldsmiths in a radical two–dimensional form. There is a complex reflection behind the stylistic decision of the “Tolima” culture (Colombia) goldsmiths of deploying this sculpture as is done in the gold pectoral ornaments.

 

Following the line of this archaic artistic expression, this work of art embarks on the act of retracting what had been deployed, in order to demonstrate the absolute coherence of that aesthetic thought and its hidden knowledge of what we might call: “dimensional portals”, applying both to figurative expression, as well as to the technologies of trance.

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